I think I might be slashing Coleridge/Wordsworth now, because of my Camille Paglia reading (I'm at the Wordsworth chapter now). I don't know much about WW because his poetry is boring. Paglia points out that his poetry is unloved by young people who find it boring. This theory is, I think, a bit more tenable than her ones about men's thoughts patterns being different because they have exposed thrusty penis things.
I am fuzzy on the Keats/Shelley relationship, since I know I've read fiction where they weren't actually friends. Shelley just really admired him. But who knows what that person based their stuff on.
I ship Byron with everyone, because he's hot and lame and stuff.
I also ship Jesus/Judas, but haven't read or written any. Do they count?
I am pretty sure more have occurred to me that I cannot think of right now, but I am intrigued and would read more if you found it. Oh, I don't know if Lawrence counts, because I sort of ship his filmic incarnations rather than himself.
As to Ellen Page, I am very, very worried about overexposure. She is everywhere and if she's not careful there will be fatigue. Especially since Juno was Not All That.
Also, they need to stop casting Portman as British. It is not working.
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I am fuzzy on the Keats/Shelley relationship, since I know I've read fiction where they weren't actually friends. Shelley just really admired him. But who knows what that person based their stuff on.
I ship Byron with everyone, because he's hot and lame and stuff.
I also ship Jesus/Judas, but haven't read or written any. Do they count?
I am pretty sure more have occurred to me that I cannot think of right now, but I am intrigued and would read more if you found it. Oh, I don't know if Lawrence counts, because I sort of ship his filmic incarnations rather than himself.
As to Ellen Page, I am very, very worried about overexposure. She is everywhere and if she's not careful there will be fatigue. Especially since Juno was Not All That.
Also, they need to stop casting Portman as British. It is not working.