B. I am of two minds about outlines. Usually I don't. What I might do is write scenes that come later for fear I'll forget. Or very brief chapter headings. For example, I started writing a post NFA fic quite a while ago and I wrote down the names of the person that the chpater focuses on. Even though the person may not be in the chapter.
But for the first time ever, I fear I might attempt something with plot - that season 3 rewrite. And I'm actually writing down brief one sentence markers regarding the scenes that need to be written. I might send it to you because I'm not sure it hangs together. Rereading the original script for "Consequences" i am struck first by how dense it is - I'm not all capable of that. But also I'm struck by how the plot is often very secondary. It's all about emotional beats. And that's what I'm trying to make sure I hit.
R. Part of me is convinced if I wish for something bad and it happens, completely my fault. Don't tempt G-d.
A. Now that my life is back to normal, feel free to send parts and/or all of it or just discuss if you want. Or don't, I am completly easy going because I am perfect. MWAHAHA!
I. Well, I just wrote my first slash also, proof again that we are one paramicium, cruelly split into two.
N. I will not succumb to watching Sparatuc again. Or Gladiator, the new non-improved version.
S. Keanu was good in a movie twice in his life. Speed because it's pretty hard for anyone breathing not to be good spouting Joss's dialog. And The Matrix because all he had to do was look confused, Keanu's natural state. "Devil's Advocate" was good in spite of the K factor (I mean, Al Pacino playing The Devil, how wrong can you go?) And I've never seen all of Bill and Ted, so can't comment on that one.
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B. I am of two minds about outlines. Usually I don't. What I might do is write scenes that come later for fear I'll forget. Or very brief chapter headings. For example, I started writing a post NFA fic quite a while ago and I wrote down the names of the person that the chpater focuses on. Even though the person may not be in the chapter.
But for the first time ever, I fear I might attempt something with plot - that season 3 rewrite. And I'm actually writing down brief one sentence markers regarding the scenes that need to be written. I might send it to you because I'm not sure it hangs together. Rereading the original script for "Consequences" i am struck first by how dense it is - I'm not all capable of that. But also I'm struck by how the plot is often very secondary. It's all about emotional beats. And that's what I'm trying to make sure I hit.
R. Part of me is convinced if I wish for something bad and it happens, completely my fault. Don't tempt G-d.
A. Now that my life is back to normal, feel free to send parts and/or all of it or just discuss if you want. Or don't, I am completly easy going because I am perfect. MWAHAHA!
I. Well, I just wrote my first slash also, proof again that we are one paramicium, cruelly split into two.
N. I will not succumb to watching Sparatuc again. Or Gladiator, the new non-improved version.
S. Keanu was good in a movie twice in his life. Speed because it's pretty hard for anyone breathing not to be good spouting Joss's dialog. And The Matrix because all he had to do was look confused, Keanu's natural state. "Devil's Advocate" was good in spite of the K factor (I mean, Al Pacino playing The Devil, how wrong can you go?) And I've never seen all of Bill and Ted, so can't comment on that one.